Listen first
I start with the song, your references and what you want people to feel. Before touching a fader, I want to understand the intention behind the music.
Mixing that serves the song.
A mix is where a collection of recordings becomes a record. I balance, shape and place every element so the emotion of the song reaches the listener, on any speaker, in any room.
Free quote · No commitment · Remote, worldwide
Why mixing matters
Streaming puts every release next to the biggest records in the world. A strong song with a muddy low end, a harsh vocal or a flat stereo image loses listeners in seconds, while a well-mixed track keeps them with it from the first bar to the last.
Mixing is also where artistic decisions are made: what sits in the foreground, what supports it, how wide or intimate the song feels. And it is the foundation for everything that follows. A clean, intentional stereo mix is what makes mastering, and later a Dolby Atmos version, work at their best.
How I work
Balance and tone
Level, EQ and dynamics give each part its own space: a vocal that sits forward without harshness, drums that hit with weight, a low end that translates from earbuds to club systems.
Space, depth and creativity
Reverb, delay and stereo placement build the world of the track. I use them to create depth and movement, and I am not afraid of creative moves when a section needs energy: a chorus that lifts, a bridge that opens up.
Translation and revisions
I check the mix on different playback systems and refine it with your feedback, so the final version holds up everywhere your listeners will hear it.
What you receive
- A final stereo mix in high-quality WAV, delivered to current industry standards
- Alternate versions on request (instrumental, a cappella, vocal up or down)
- Revisions as defined in your quote
- A mix that is ready for mastering, or mastered by me for a consistent result
- A Dolby Atmos version can follow from the same project
How to prepare your project
- Export every track as an individual WAV file (24-bit, at the session's sample rate), all starting from the same point
- Send a rough mix of what you have in mind, plus your reference tracks
- Keep effects off, or send both a dry and a processed version when an effect defines the sound
- Label the files clearly and note the tempo, and any ideas you care about
- Remove clipping and unwanted noise, and tell me about any known issues
- Tell me which moments of the song matter most to you
Related work
Frequently asked questions
How many revisions are included?
The number of revisions is set in your quote, based on the scope of the project. The goal is to reach a mix you are proud of, not to count rounds.
Can you mix remotely?
Yes. Most projects are handled remotely: you send the files, I send previews, and we refine together. I work with artists and labels around the world.
What if my tracks were recorded at home or elsewhere?
That is fine. Good mixing starts from good songs and honest recordings. If something in a recording limits the result, I will tell you and suggest options.
Can you also master my songs?
Yes. Having the same engineer handle mixing and mastering helps consistency, but you are free to master elsewhere.
How is mixing priced?
There are no fixed rates. Each project is quoted individually, depending on the number of tracks, the complexity and the deadline.
Ready to mix your next release?
No fixed rates: every project is quoted individually, free and with no commitment.